With this in mind, we curated a collection of predominantly American master prints that reflected No. 284's passage over time. The earliest work in the collection, Pablo Picasso’s 1914-5 cubist etching L’Homme au chapeau, held the foyer entrance and the latest, Wayne Thiebaud’s 2015 Hot Chocolate, warmed a fourth floor guest room. In between, the collection moved from abstraction, Abstract Expressionism, Pop, through the diverse art of the 70s and 80s, to contemporary art. It was a celebration of master prints and the material diversity and technical virtuosity of the medium. Overall, it was an elegant, cultured collection that reflected the spirit of its ownership and location in Boston’s historic Back Bay.